Thursday, February 2, 2012

The Tree of Life (4 Stars - 4 Stars)

Here is a movie that transcends all that is cinema, liberating itself from conventions and defying the norms of what is normal. All for the act of artistic splendor. The movie is impossible to talk about, plot-wise, because the plot is very dense and it’s not the most important attribute in this movie.
The movie is filled with awe inspiring visuals, from the cosmos up in space, to the dinosaurs in the primordial times. The movie also focuses its attention to a family in Waco, Texas, representing the origin and coming life, its hardships, its tragedies, and its uplifting progression to the place above and beyond our life. Terrence Malick is the mastery of beauty in his images. Every scene and every shot is meticulously composed with pure thought. Here is a movie that doesn’t have much of a story and because so, there are some leeways in directing.
The movie appears like a professional movie with the sense of that National Geographic beauty and the uplifting sense of a spiritual movie, in that, the collection of videos and images were nothing but absolute wonder. Never have there been such a movie about perfect tranquility since 2001: A Space Odyssey. Unlike the two second rule of editing, the shots linger on for a while in order for us take hold of the image. Cutting it short for cinematic purposes would ruin the meaning. In many ways, people will hate this movie for being slow, for going nowhere, and because of Terrence Malick. There is also the collection of irrelevant images that do seem to be there for a reason. We have some images of space, the dawn of man, and a brief scene with dinosaurs. The space nebulas set to a requiem opera is possibly the object of desire in this movie that will cease people to think.
Despite having only just a collection of awe inspiring shots of nature and beauty, I wanted more. The movie alone is pretty long, but I wouldn’t mind if it was longer. At this point, I need not stare at my watch and the movie does a wonderful job of doing away that temptation. At this point, I point this out to Terrence Malick, the director. I’ve never really appreciated his movies and have been against the man himself for having a weird sense of penning his movie, and his strange recluse life. After watching this movie, I will take back all that I’ve said about him.
With this, I do have one large regret. I should have seen it in theaters, where the transcendence would’ve grabbed me even more. Because of my petty arguments about Terrence Malick, I lost the will to pay to go see it in theaters. Now, I have to find midnight showings in faraway places in order to watch this movie in theaters as punishment for not giving our hated people a chance. This movie is not just an experience; it was a journey with no end. It's a powerful gripping movie that gives us the images. It's now our job to figure out what it means.