Tuesday, January 24, 2012

13 Assassins (3 1/2 Stars - 4 Stars)



            This is a monumental samurai film that's thought to be a dead genre that used to realm supreme during Kurosawa's reign behind the camera. It has everything that a good samurai film has, all the way down to their costumes, katana blades, and mannerism.

            One of my favorite movies of all time is Seven Samurai, and there are many aspects of 13 Assassins that are borrowed from Seven Samurai. The two movie plays with the rules of the main characters being terribly outnumbered and yet they must find an ambush like tactic to obtain the upper hand. The movie even has the idea of having an incompetent loser as a part of the team. Seven Samurai only had six samurais. 13 Assassins only had twelve assassins. I did like Toshio Mifune's character and purpose in "Seven Samurai" because he actually did the most work and had a passionate like drive. In this movie, the bumbling idiot is more of a mysterious character who doesn't even uses a katana blade.

            The look of the movie is something I've never seen in any mainstream samurai movie for a very long time. When we imagine samurais, we would have them wear those giant armor and scary mask like helmet. In this movie, the costumes are simplistic. The 13 samurais wear black, while Lord Naritsugu and his guards wear white.

            Like most of Takashi Miike movies, the villains are overemphasized. In Ichi the Killer, we have Kakihara, a sadistic yakuza enforcer. In Audition, we have Asami, a sadistic torturer who appears innocent. In this movie, we have Lord Naritsugu. His performance is not so emphasized to the point where the movie is solely about him, but we get to know so much of him and his sinister nature as a ruler and as a human being.

            The first half of the movie contains a huge buildup and that's what I like. Action scenes are only good if it means something. If the samurais are fighting just for the sake of fighting, then the ending would've not been so interesting. The first half of the movie plays a great big lead up to the big climactic ending. We are introduced to Lord Naritsugu and find out that he's a wretched and vile human being and should be fit for attaining political power. We are then introduced to Shinzaemon and his plot to assassinate the evil lord. Through this, he gathers eleven samurais for the job. We spend about an hour and fifteen to know these characters and because of that, the big ending is epic.

            The huge battle scene was probably one of the best movie fight scene of this year so far. It consists of thirteen samurais versus 200 hundred guards. The thirteen samurais must allocate their resources in order to survive enough to kill Lord Naritsugu. Through this, they used arrows, explosives, giant gates to separate the guards, and rocks if they're really desperate. Although there was some CGI placed in some scenes, the fight felt real due to the use of a real location and the use of real sword fighting. There are certain stylized parts in the battle, but the sword fight looked as if it wasn't planned out and felt natural. The samurais don't do impressive feats that looks impressive. They're basically trying to survive by cutting down as many guards as possible.

            This movie is a Takashi Miike movie and although I never did like his other movies, Miike shows us how good of a filmmaker he is. He's notable for making gory unwatchable movies; however, the gore and violence must play a role in the story. In this movie, the Samurai holds up a parchment that reads "total massacre." It's supposed to be bloody and gory and Miike does have his moments of bloody pleasures. But the bottom line is, Miike finally serves the tone correctly while satisfying his own directorial trademarks. I can't believe I'm saying this, but I can safely say that there is one Takashi Miike movie that I actually critically like.
            13 Assassins was a pretty damn good movie. It encompasses many principles of that which made Seven Samurai a great movie, as well as going with the idea of facing enemies that outnumber them a billion to twelve. It's the first respectable Takashi Miike film and it's an overall good samurai epic.

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